Review Comment
Capture the reviewer’s request and the time reference. Clarify the intended result before editing.
Keep detailed review notes at the relevant timeline point on an audio track or folder track. Give the next person the issue, the note, an owner, and a next action.
Issue: breath masks the pickup. Note: reduce clip gain, preserve the phrase.
A note with a place, a track, and a next step.
Review Comment → Track Marker → Relevant Track / Folder → Edit → Recheck → Resolve / Carry Forward
Capture the reviewer’s request and the time reference. Clarify the intended result before editing.
Create a marker with a concise name and a detailed comment. Record the issue, owner, and next action.
Target the affected audio track. Use a folder marker when the note concerns its member tracks.
The assigned editor makes the change in their own session, preserving the original intent of the note.
Audition the edit in context and compare it with the review request. Document the check.
Record the resolution, or carry the note into the next handoff with its owner and next action.
Avid Track Markers support detailed comments on specific tracks, including folder tracks. A folder marker can identify a point relevant to the folder’s members. Folder Tracks help organize large sessions; Basic Folders group tracks, while Routing Folders also route audio.
Use a timeline marker for a session-wide landmark, a track marker for a specific edit, and a folder marker for a shared stem note. Recheck the note’s placement after revisions and make ownership explicit.
Source: Avid: Track Markers · Avid: Folder Tracks
Deep vertical sessions in large-format television and film post-production easily exceed two hundred tracks. Combining routing folder isolation with pinned guide tracks ensures marker context remains intact across sprawling edit timelines.
Place general turnover notes on the stem folder track itself. Subordinate audio lanes inherit folder context even when collapsed in the edit window.
Pin dialogue guide tracks and production sync lines to the top of the edit window so vertical scrolling never breaks note-to-wave alignment.
Assign dedicated color swatches to Track Markers inside sub-mixes to flag urgent fixes, Foley sync issues, or missing ADR deliverables instantly.
Keep shared context on the folder and precise edit notes on the relevant track.
When Pro Tools sessions are generated by Media Composer 2022.12 or later, markers can appear on corresponding tracks. Verify the destination track, timing, and comment before handing the session to the next editor.
Review incoming picture notes and confirm which audio track or folder each comment concerns. Document any note that still needs a destination.
Conform incoming editor notes against 24fps or 23.976fps project settings to eliminate fractional subframe drift on dialogue cues.
A transferred marker still needs a context check before the next editor acts.
Filter protocol requirements by stage to verify session compliance prior to turnover handoffs.
Markers must be pinned to the primary DX sub-group folder with reel identifiers and scene numbering explicitly embedded.
Spotting notes must sit on ADR guide tracks with line script numbers matching production sound report metadata.
Mark scene transition decay limits directly on auxiliary return track lanes to prevent spillover onto subsequent cues.
Embed maximum true peak and integrated LKFS / LUFS readings directly as markers at mix closeout anchor points.
All temporary test markers must be reviewed and systematically cleared or exported to session handover logs before freeze.
Verify that track marker naming corresponds with archived stem folder manifests for downstream localization dubbing.
“Reduce the breath before the next line.”